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The first nearly complete edition was New Directions' The Cantos (1-120) (1970).This was reissued in paperback in 1986 with the addition of the Italian Cantos 72-73.I found after seventy years that I was not a lunatic but a moron ...

The moon is frequently associated in the poem with creativity, while the sun is more often found in relation to the sphere of political and social activity, although there is frequent overlap between the two.The Cantos takes a position between the mythic unity of Eliot's poem and Joyce's flow of consciousness and attempting to work out how history (as fragment) and personality (as shattered by modern existence) can cohere in the "field" of poetry.Nevertheless, there are indications in Pound's other writings that there may have been some formal plan underlying the work.Much critical discussion of the poem has focused on the relationship between, on the one hand, the economic thesis on usura, Pound's antisemitism, his adulation of Confucian ideals of government and his attitude towards fascism, and, on the other, passages of lyrical poetry and the historical scene-setting that he performed with his 'ideographic' technique. Elliot has drawn a parallel between Pound and Adolf Eichmann based on their antisemitism, while at the other Marjorie Perloff places Pound's antisemitism in a wider context by examining the political views of many of his contemporaries, arguing that "We have to try to understand why" antisemitism was widespread in the early twentieth century, "and not say let's get rid of Ezra Pound, who also happens to be one of the greatest poets of the 20th C." This is complicated by the fact that The Cantos themselves contain very little evidence of Pound's otherwise blatant antisemitism: in a close study of the poem, Wendy Stallard Flory concluded that it contained only seven passages of antisemitic sentiment in the 803 pages she read.Further, when Allen Ginsberg visited him in Rapallo in October 1967, Pound described his previous work to Ginsberg as: "A mess ...

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